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 here,
there. They've gone now," Otto comforted his companion. "Those
horrible gipsies! I won’t
let them bother you again." The boy stroked Buttercup's swollen flank
and smoothed his fingers gently through her coarse, black hairs. The animal's
breathing gradually became more even, and she issued a contented, porcine grunt.
Otto, curled up in the straw beside her, rested his head against Buttercup's
heaving side and slowly sank into a deep sleep. He dreamed.
Otto was standing
in the piggeries in which he worked for Kalman Zsupan, the mayor.
He was hand-in-hand with Zsupan's daughter, his beloved Arletta.
They were gazing lovingly into each other's eyes, lost in one another.
Beside them, Buttercup was grazing contentedly on a pile of rotting vegetables,
while her newborn litter of piglets scampered around, playing in the mud. The
sun was shining in a clear sky, and everything was bliss.
Suddenly, large, black
storm clouds moved in from nowhere, blotting out the sun and covering
the landscape in a grey cast. A streak of lightning pierced the
sky — Arletta and the pigs were gone. In their place, a huge crowd of gipsies,
hundreds of them, gradually moving in menacingly around Otto. To the sound of
a diabolical fiddle, they began to dance, spinning in ecstasy while cloaks of
purple and red flew about them.
Otto was lost in a confusion of flailing limbs
and billowing silk. Hopelessly, he tried to look for Arletta, calling her name,
utterly terrified. Clasped in the gipsies' hands were treasures of unimaginable
wealth — great golden goblets, dishes and tankards; jewel-encrusted crowns
from eastern lands; endless strings of pearls, rubies and emeralds. Each thrust
cruelly towards his face and then lifted towards the sky.
On a hill, some distance
away, was Arletta. She was dressed as a gipsy, in scarlet and green, and
wore a manic smile which filled Otto with dread. Next to her,
was a powerful male figure. He seemed both familiar and a stranger. His face
was hidden, but he had a possessive arm around Arletta’s shoulders. Otto
fell to the floor, stricken with grief and fear.

Then the gipsy began to change.
Huge, razor-sharp tusks protruded from the sides of his mouth, and his face
elongated into a snout. His cloak fell away
to reveal
a massive, bristly torso. The gipsy uttered a ferocious roar and fell forward
onto his hands which had become fearsome trotters. Otto wailed. It was the
Boar of Zalaegerszey, the mythical creature all Hungarians learn about as
children. The beast reared up and then began to thunder towards
Otto.

"Nooooo!" Otto sat bolt upright, sweat pouring off
him, his heart beating out of his chest. He was back in the barn,
Buttercup still snoozing beside
him. Somewhere a bell was ringing; someone at the gate. Otto raised himself
on shaky legs, brushed the straw off his breeches, and made his
way unsteadily through
the door and out into the morning light.


More shows...
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22
to 27 November 2004
Gardyne Theatre, Dundee

Music by Johann Strauss
Adapted and arranged by Ronald Hanmer
Original libretto by Ignaz Schnitzer
New libretto by Phil Park and Conrad Carter
Lyrics by Phil Park
CAST
Otto — David Newton
Mishka — Nick Browne
Pali — Tom Dyer
Franzi — Carolyn Wiseman
Vanya — Gemma Prestwich
Arletta — Jill Davidson
Kalman Zsupan — Ken Peebles
Mirabella — Meg Peebles
Czipra — Elizabeth Wylie
Zara — Moira Inglis
Count Kareska — Garry Fraser
Sandor Barinkay — George Anderson
Count Peter Homonoy — David Bolton
Captain of Hussars — David Bennett

PRODUCTION OFFICIALS
Producer — George Hutchison
Musical Director — Don Grieve
Assistant Producer — Frances Riddell
Accompanist — Susan Leiper
Prompter — Maureen Wilkie
Make-up — Rhona Anderson
Wardrobe — Linda Murray
Props — Chris MacMillan
Stage Manager — Jim Taylor
Front of House — Susan Walker
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